My brother has already cleaned most of the glue from the hips and backbone, sanded the edges and routed a nice edge on the hips.
Glued and routed hips. |
Backbone ready to be sanded and routed. |
Moments later I discover the elbow position which is causing pain at the same time as the sander catches on something and does a small, and in other circumstances insignificant, kick. I don't know which happened first, but this is very painful, and I have to stop for a rest. If I keep hurting my arm like this I'm not sure if I'll be able to keep going on this job.
Resting is, also wasted time, so we do the sensible thing and head off to 'Bunnings Warehouse' to find some different power tools/accessories which will allow easier sanding in the complex curves. We also spotted an ice bucket for $15 which looked almost perfect Elephant head. I tested this for psycho-acoustic properties, and am currently almost convinced.
At this point in time the exact head design is still being planned and plotted. The original small model has a head, of sorts, but it would be heavy and doesn't look the way I want it too. I have several ideas for better heads, but I am still debating between various possibilities. So I am still open to found items that look like they have an elephant head within them. Especially if they sound good.
I finish off sanding the glue from the backbone with a sanding drum, this is a lot easier on my arm.
Sanding out complicated shapes. |
After sanding the edges of the backbone are routed to give a nice smooth edge. This is a quick, albeit noisy, process and is very satisfying.
Routing smooth edges |
There is still more work with the jigsaw cutting out the final shape of the legs. The jigsaw is starting to sound a bit unhappy so we take it apart and grease the various wheels to see if we can get a little more life out of the saw.
Cutting the leg with a jigsaw. |
At this stage the legs are still held together with screws alone and we need to glue them before moving on. My original thoughts were to have several acoustic cavities in the legs, but now they are in their final shapes they look too thin for this. Only the shoulders and hips seems to have enough material, so we route out one experimental cavity in the left hip. The leg is then clamped together so we can test its sonic potential. Using a piece of scrap wood as a drum stick the sound is disappointing. It is also getting late in the day, so we abandon the idea of additional cavities and start gluing the legs together with Gorilla glue.
Rear leg with glue. |
After glueing we screw the legs together to make sure the glue bonds well. The alternative would be to clamp them together, but that would have required a large number of clamps.
Legs drying overnight. |
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